Curated Fireplaces
A small, hand-picked collection of the fireplaces we believe in — each one chosen for the way it lives in a room, not for its spec sheet.
An unhurried collection
Ergofocus Holographik® — Fire, Without the Fire
In 1983, the French sculptor Dominique Imbert drew the Ergofocus: a suspended, pivoting hearth built on the heretical idea that a fireplace ought to occupy the middle of a room, and be free to turn. Four decades on, the silhouette is still in production — still unmistakably modern. The Holographik® is what happens when that sculpture meets the next forty years.
There is no fire in this fireplace. The flames are produced in three dimensions by a holographic system, dancing over naturalistic ceramic logs; the sound is the familiar crackle of wood, indistinguishable from the real thing. No flue. No fuel. No emissions. A standard wall socket, and it is alive.
That makes it the first fireplace we can install almost anywhere — top-floor apartments, low-carbon homes, restaurants and lobbies where a chimney was never going to be possible. It is, by some distance, the most interesting object we have shown anyone in a long time. We are not entirely certain whether to call it a fireplace or a small piece of theatre. We are certain that, the first time you see it, you will understand.
It looks like a fire. It sounds like a fire. There isn't one.
The Collection
Past features, in the order we chose them.
